From the Studio of: John Terelak

"Snow Evening",  John Terelak

John Terelak invited me into his bright and airy studio this morning, where he had been hard at work at his easel since 3 a.m. He took a short break for this interview before he turned his attention to last minute details, in preparation for his solo show, "Fifty Years at the Easel", a stunning  collection of his masterworks, which opens on September 3rd at the North Shore Arts Association's Gordon Grant Gallery.

John's unwavering discipline, coupled with determination have served him well in his artistic life. During his student days, John was a very talented athlete, earning multiple offers of college scholarships, but in his junior year he discovered his passion for art.
The first major turning point in his life occurred when working for a greeting card company. A foreman, impressed with John's obvious artistic abilities, encouraged him to apply to art school.
Submitting three drawings in his application, John was accepted in 1960 to the Vesper George School of Fine Art. Although he flourished in the commercial art department, he was also trying his hand at a variety of media; oil, acrylic, pastel and watercolor. He clearly remembers that while working on a watercolor, he realized that his true calling was as a fine artist.
All of the skills that he'd acquired as an athlete would come into play in realizing his dream. To this day, he freely admits that he has a competitive nature; he wants his paintings to be the best, and to that end he works as hard as he can every day, without fail. At the end of each painting day he is able to say to himself, "I tried my hardest and I couldn't have painted any better than I did today."

"Evening Light", John Terelak

A second major bit of luck came through his association with artist, Don Stone. John was a professor, teaching at Vesper George after his graduation, when Don extended an invitation to come up to Rockport and to teach an outdoor oil painting class. John had grown up in Hyde Park, a "rough and tumble" Boston neighborhood. When he arrived in Rockport, he was immediately taken with the beautiful, idyllic seaside town and the very active artistic community that it attracted. Among the very accomplished painters working in Rockport at that time, were Aldro Hibbard, Paul Strisik, Tom Nicholas, Don Stone and others of the highest caliber.

After a short stint in the Army, Terelak returned to Rockport, establishing his home there. He founded the Gloucester Academy of Fine Art in 1975 and as its Headmaster taught college level and art school graduates, guiding them to find their individual voices and make a firm start in their professional lives. But after teaching for a number of years, and with both a growing family and a growing demand for his art work, he left teaching and devoted all of his considerable energies to his own paintings.
His subject matter is wide ranging and varied, but Terelak says that is not the most important aspect of his work. The landscape for him is a stage, often inhabited by wonderful human actors, on which he challenges himself to explore color harmonies and new techniques. Terelak has done a considerable amount of on location work and his intense, visual memories serve as the creative springboard for his studio work.
He is able to close his eyes and visualize the finished painting. He starts a painting without sketches, drawings or preliminaries, preferring to follow Jasper John's dictum, "to do something, do something to that and then do something to that." It is not unusual for Terelak's paintings to have eight paint layers or more as he pushes the paint and himself; glazing, scraping, and scumbling to follow and to explore where the process of painting will take him.
As the painting "grows", it takes on a life of its own, with its own demands. He will often work on a painting over the course of a year or more, setting it aside as he considers it and lets its "mistakes haunt him" until he can satisfactorily solve the puzzle. He wants the surface of the painting "to have a rich patina, a depth and texture that is beautiful in its own right."

"Looking For Charlie", John Terelak

This past year, John sees a dramatic change in his work. He finds himself seated before his easel more often, rather than standing, and feels this posture is allowing him to achieve a higher level of detail, a refinement, and a closer observation of nature. He is taking more time with each painting, his work becoming less impressionistic, less tonalist, but ever more powerful as he leans toward more traditional approaches to landscape.

Terelak says he would never alter the choices he's made in life. He recommends every artist read the article written by author James Lee Burke and published in the New York Times; and article which, for Terelak, "sums it all up." (* link to article below)

For John Terelak, "The ability to live the life of an artist is a gift. Never disrespect your talent or take it for granted. Work very hard every day at expressing and exploring the fullness of your talent." Seeing a Winslow Homer retrospective and the powerful images that Homer created later in life at Prout's Neck, Terelak says that it hit him, "If Homer could paint with that power as an older man, I can, too!"
And therefore, he rises each morning well before dawn, facing his easel always with the greatest enthusiasm and in awe of where his painting journey will take him.
He ends our interview with the energetic exhortation, “Well! It’s time to go back to work, dear!”

North Shore Arts Association is honored to offer the work of internationally acclaimed Rockport artist John C. Terelak in a stunning solo show of his masterworks. Entitled "50 Years at The Easel," the exhibit's Opening Day is September 3rd and runs through September 26th. "Meet The Artist Reception" is Sunday, September 20, 2-4 pm.


*http://www.nytimes.com/2002/12/02/books/02BURK.html

“The acclaim that John Terelak’s work has received from serious collectors is strong evidence that his paintings will be recognized as an important and permanent part of the best of American fine art created in this century. His paintings are included in thousands of private and public collections throughout the United State. Included are the Andrew Mellon Foundation, Sheraton Corporation, Winthrop Financial Corporation, Prudential Insurance Company, Bank of Boston, Shawmut Bank, State Street Bank, Boston, and Sterling-Regal Publishing Company. Included among Mr. Terelak’s private collectors are many prominent persons from the business world, the entertainment and sports industries, and perhaps most significantly of all, the art community itself.”
-excerpt by Cavalier Galleries, Greenwich, New York City, Nantucket

"The Artists' Greats" Extended Through October 10!

North Shore Arts Association celebrates its "Year of The Artist" with a spectacular and historic 'best of the best' "Artists' Greats" artist member exhibition with Opening Day on Thursday, September 3rd. A 'Meet the Artists Reception' will be held on Sunday, September 20, from 2-4 p.m. Due to popular acclaim the Exhibition has been extended and now will run through October 10. Open and free to the public.
Gathered together for exhibit for the first time the Artist Members of the NSAA will select their best, award winning works in oil, watercolor, graphics and sculpture for viewing in an historic  "Artists' Greats" exhibition presented in the exquisite harbor side galleries of the North Shore Arts Association. A brief artist statement will accompany each piece allowing viewers rare insight into the artists' thoughts about their own work. This is an extraordinary opportunity to add the works of Charles Movalli, Tom Nicholas, N.A., A.W.S., Betty Lou Schlemm, A.W.S., and many other favorites to your collection.

"Maine", Charles Movali, acrylic 36 x 36 

Charles Movalli is an internationally renowned artist of the Cape Ann School. He is one of Cape Ann's best known and beloved painters and teachers. Born the son of artists in Gloucester, MA, Movalli became an art teacher, influential art editor and writer. But above all, he is a dynamic painter. His dramatic brushwork creates the vibrant lighting and sense of movement that captures the essence of a scene. He was, for 25 years a contributing editor for "American Artist" magazine and was featured numerous times.
Movalli studied with Emile Gruppe and Roger Curtis, among others and collaborated in authoring many instructional art books and is an honored and award winning member of Boston based and Cape Ann art associations.

"Snow Country", Tom Nicholas, N.A., A.W.S., 42 x 52, watercolor

Tom Nicholas, N.A., A.W.S., is an Academician of the National Academy of Design and a Dolphin Fellow of the American Watercolor Society, whose ability to capture light and mood on canvas is recognized and acclaimed nationally and internationally. Included among his more than 250 awards are 42 Medals of Honor. He has had 35 solo shows throughout North America and Europe. Listings include: Who's Who in America, Who's Who in American Art, The Old Royal Watercolour Society Annual Volume, 1971, London, England and Strathmore's Who's Who.

"Sudden Squall",  Betty Lou Schlemm, A.W.S., oil on canvas

Betty Lou Schlemm, A.W.S.,  is a Dolphin Fellow and an elected Lifetime Member of the American Watercolor Society. Much loved by art collectors and students and this renowned Cape Ann artist is an internationally acclaimed artist, teacher, and author of many art related instructional books. Her works in watercolor and oil are found, and are treasured by art lovers, in many private collections around the world.

-contributed by Susan Britt, M.Ed.

Phyllis Feld Solo Show: "The Way of Space in the Landscape "

"Wild Flowers Abound", Phyllis Feld

North Shore Arts Association presents one of Cape Ann's extraordinary landscape artists, Phyllis Feld, in her exciting new Solo Show, "The Way of Space in The Landscape". Opening day is September 3, and the show runs through September 26. All are invited to a "Meet the Artist" Reception on Sunday, September 20, from 2-4 p.m. Free and open to the public.

While she often paints beautifully arranged still life works, landscape painting is Phyllis Feld's artistic passion. She says, "I love working in the landscape, working 'en plein air'. It helps me make a visual connection. My space planning and interior design experience is the stimulus of my deep attraction to geometric form as nature creates it." Feld will often spend much time exploring in a chosen terrain until she finds an inspiring natural configuration. Her excitement about spatial relations, form and color radiates from her canvases. This is an artist whose work is not to be missed. A graduate of Pratt Institute, Feld is a Space Planner/Interior Designer who designed offices and commercial interiors for seventeen years. She began her studies at the Boston Museum of Fine Arts with still life painting, and later becoming drawn to plein air painting while traveling in France, Italy, and Outer Cape Cod.
She is also a member of the Newton, Concord and North Shore Arts Associations, and an associate member of the Rockport Art Association. She has exhibited extensively, having received Best of Show, Third Place and several Honorable Mentions, and her work resides in many private collections. 
- contributed by Susan Britt, M.Ed.                                                                                            

"Hyacinth Spell", Phyllis Feld

            

Behind the Scenes at the NSAA: Unsung Heroes

Throughout "Snowmageddon" 2015 and right up to the present day, the members of House Committee  of the North Shore Arts Association have been hard at work, spending countless hours on the repair and maintenance of the NSAA's beloved home since 1923, the Thomas E. Reed building, an iconic waterfront warehouse built c.1900, on Wonson's Wharf in Gloucester's Inner Harbor.
As an Association, there are so many people who deserve our thanks; whose hours of volunteer work make it possible to open our doors to the public with the arrival of Spring exhibition season.
Among those, two of most devoted workers are John Strohmeier and Rob Sibelle, who are always to be found on site, tending to the building's most urgent needs.
Just one of the many jobs they tackled, was the rehabbing and installation of the street sign at the entrance to Pirates Lane, ensuring that the NSAA's presence is more visible and which also allows for the use of promotional signage for exhibitions etc.
We hope you'll take advantage of the Artists Annual Meeting on Sunday, August 23rd, to meet John and Rob and say "thank you" to them for their efforts.  Join a committee and become a part of the change you want to see! See you on Sunday!

Who We Are: Meet Bruce Backman Turner of the North Shore Arts Association!

"My primary goal as a plein air painter has always been to capture the elements of the outdoors...the essence of light, atmosphere, time and place...and to create paintings which interpret that experience in a compelling and heartfelt way." -Bruce Backman Turner

With our special thanks to Joey Ciaramitaro, author of the award-winning blog Good Morning Gloucester, who, in September of 2011, recorded the following interview with Bruce Turner in the Gordon Grant Gallery of the North Shore Arts Association:

Bruce Backman Turner

Born in Worcester, MA in 1941, Bruce Backman Turner became interested in art early in life through the influence of his late father, who had studied at the Columbia School of Art in New York City. On frequent family visits to the coast, he became intrigued not only with the majesty of the sea, but with the shimmering effects of light upon its surface.
In 1972, Turner and his young family moved to Rockport on Massachusetts' North Shore, where he established a studio and gallery to paint and realize his life passion.
Living and working along the New England shores, he could experience the full vitality of the sea with its powerful atmospheric changes that would challenge the artist's brush. Later, the intricately winding village streets, local quarries and peaceful harbor settings of Cape Ann became interesting subjects of his paintings.Bruce explains, "To expand the shoreline, I added its boats, harbors and residence perched upon its rocky cliffs, especially here in my own local Cape Ann community. To incorporate the human elements with my knowledge of the sea, I introduced people into my work by spending many afternoons painting smaller oils on location to catch the interplay of moving human form against the changing tide. With its harmonious and dominant color influence by the sky, the sea provides a great stage for the variety of contrasting color introduced by human activity."
"In between painting coastal marine oils, I enjoy working outside with the change of seasons that the New England countryside offers through the awakening of spring, the warmth of summer, the vibrant burst of color in autumn and, finally, the quiet serenity of winter." 
In 1979 Bruce was among selected art instructors whose articles were published in American Artist Magazine, and was featured in Grumbacher's Palette Talk in 1983 and 1990. Listed in Who's Who in American Art, his work has also appeared in Monhegan-The Artists' Island, The Best of Oil Painting, Portrait Impressions, and A Gallery of Marine Art.
Some of the exhibitions in which Turner's paintings have been represented are the Mary Bryan Memorial Gallery in Jeffersonville, VT, Butler Institute of American Art, The Salmagundi Club, Academic Artist Association at the Springfield Museum, Marietta College's International Exhibitions, American Artists' Professional League, Hudson Valley Art Association, Chautauqua Art Association, The Maritime Gallery at Mystic Seaport, Ogunquit Art Center, North Shore Arts Association, Rockport Art Association and the American Fortnight Exhibition in Hong Kong where paintings by invited American artists were shown in 1975.
Throughout the years, Turner's work has brought him numerous national and regional awards including the prestigious Louis E. Seley Purchase Prize for first place in the Salmagundi Club's annual oil exhibition.
His work is included in such public collections as the Sloan-Kettering Cancer Center in NYC, Massachusetts General Hospital in Boston, the 4H National Headquarters in Washington, DC, the MBNA corporate collection, The Picket Collection-Carol Woods Center, Chapel Hill, NC and in private collections throughout the US, in Canada, England, France, Belgium, Sweden, Saudi Arabia, and Australia.
Bruce has conducted workshops throughout the years and has been invited by numerous art organizations to lecture and demonstrate his approach to painting.
While continuing to enjoy the inspiration of the beaches of Cape Ann, Turner has traveled far and wide, painting across the breadth of America to the canals of Venice, Italy and the countryside of Alsace, France.

The North Shore Arts Association is very proud to count Bruce Backman Turner among our renowned  and accomplished artist members. Look for his newest works in our summer exhibitions!
See more of Bruce's work at http://brucebackmanturner.com